3 lenses every photographer needs
My advice is dont worry about building a collection.
Theres no need to have a bunch of unnecessary lenses lying around, and you do not need to have a set of equipment capable of producing every kind of photo.
,Rather, by borrowing, reading reviews, renting, etc.
, find a couple of good lenses you like, and master how to use them.
I suggest beginners start out with 1 prime (say 50mm f/1.
4) and 1 zoom (say 17-55mm f/2.
8) or such.
The prime will teach you how to compose stunning photos and how to compose with low apertures, will cover all your low-light purposes, and teach you how to move to get the photo you want; the zoom will cover all your other general purpose needs.
,Buy new lenses only when you realize that there are certain shots that you frequently want and your lenses are inadequate at providing.
Otherwise, dont worry about building a collection.
The point is to master the art of using what you have, and develop a personal style, not accumulate a bunch of expensive paper weights ;) Most historically renowned photographers did almost all their work using only their favorite 1-3 lenses, and hardly needed a collection.
best lens for photography - canon
What is the best lens for Canon 80D wedding photography?First, congratulations on your choice of camera; itu2019s more than up to the job.
,Now, as to the lens, here is my suggestion; Canonu2019s 18-135mmEF-S Nano USM IS.
Why this lens and not something shorter and faster? Well, letu2019s take a single photo at a wedding and find out.
,This is a decent shot.
But it doesnu2019t end here.
You take this shot at 24mm or so.
Then, you zoom to 50mm, ask everybody except the bride, groom, best man, and maid of honor to step out, and take this shot.
,Then you ask the Maid of Honor and Best man to step out, zoom to 75mm or so, and take this shot.
,Then zoom to 100mm, and take the waist up portrait of the bride and groom.
,Then zoom all the way to 135mm and take this shot.
,Excuse the different weddings; just downloading from the web.
But the thing is, your wedding party will not be made up of professional models.
That you can take five very desirable poses without asking the bride and groom to move (much), and without moving your feet (and if you are indoors, without changing your lighting), all in a matter of seconds, is a fantastic advantage.
These are outdoor shots, so arguably you could have done this by moving your feet, but often indoors when taking altar shots you are stuck.
,This is a nice shot, but when it comes time to photograph the wedding party on the altar, all those pews get in the way.
,You might be standing on a chair in the center aisle because you need to photograph over the pews; your lights might be on stands, triggered by the flash on camera; there might be one ray of light coming through stained glass that you have to light the bride with.
So the less moving around everybody does, the better.
And with an 18u2013135mm you can take your time on your setups and do the shooting very, very quickly.
,Thatu2019s my choice.
Best lens for portrait photography Canon
I teach portrait photography - so i get this question a lot.
It is way more important to understand why certain lenses are good for portraits than read over a list of lenses.
,If you can only get 1 lens get a prime lens.
It will give you the most bang for your buck.
,You need a lens that is sharp and opens up to at least F1.
This will give you the narrow depth of field that many stunning portraits require.
If you can afford 1.
4 then go for it.
The aperture is where the money goes on these lenses because aperture is vital for portraits.
,Your focal length is also important.
Anything under 50mm will distort the models face.
Anything above 85 will mean you need to be so far away you might struggle for space.
,I personally use a 50mm Cannon 1.
8 for many of my photos.
It is cheap and reliable.
You can pick up a prime lens like this $150 USD no worries.
,Below are two recent portraits I took with the Canon 50 mm lens.
You can see how important being able to use a wide open 1 .
8 aperture which helps focus your gaze on parts of the photo and give them depth.
A stock zoom lens you may get with a camera would not likely open up much past f4 and would not give you this.