Types of lighting equipment in photography
You need to learn at first how to light, then what lights and how many becomes a simple answer that you will know.
,Most professionals who use lighting keep somewhere between 3u20135 lights at a minumum.
I personally have a large number of lighting instruments all for different purposes.
,You will need some types of diffusion reflectors, it can be a soft box or an umbrella.
It can be a huge sheet of white cloth hung on a boom.
It matters little what the reflector is as long as it works for the purpose you have needed to do.
,Which is why learning to light is much more important than the equipment.
,Also do not forget that you need sturdy light stands and a few booms, plus some gobos or flags, since reflecting black into an image is just as important as reflecting white into an image .
,You will need a tripod preferably one with a side arm it is often you will need to sling the camera over the table not next to the table.
,Also you need as high a resolution camera as you can afford and a close focusing lens that is sharper than any lens ever.
Ok, maybe not that sharp, but one that is capable of resolving at a high number.
,You will also need to learn to focus stack, which also means you will need to learn Photoshop at a professional level.
Anyone who convinces you that services that drop out backgrounds and tweak tone and color are adequate are doing you a disservice.
You really do need to be able to properly process the raw image otherwise you will just have an inadequate product.
Lighting for Photography at home
Try natural day light.
Requirements are simple- a room with a large window, some inexpensive reflectors and a thin white curtain on the window (to soften the light when required).
Best portable lighting kit for photography
What is the best studio lighting for photography?,Everyoneu2019s going to answer this basically the same way.
,What are you needs and budget? Do you want a pack/head system, monolights, flashes, or continuous lights?,Do you need the shortest flash duration, best color temperature consistency, or portability? Do you have your own studio or will you be traveling to and from a rented one?,Will you be able to afford an array of (light shaping) modifiers after you purchase a couple of lights, like softboxes, beauty dishes, strip boxes, parabolic umbrellas, octoboxes, grids, c-stands and boom arms? What about wireless triggers?,Do you want to shoot high speed sync (past the x-sync speed of your camera)?,Sure you could buy Broncolor or Profoto, but seriously, that doesnu2019t mean your photos will be any better than someone using a $200 monolight, $70 Yongnuo flashes, or that anyone will be able to tell.
,Any one of us could put together dozens of lighting packages of various brands for you, but without knowing a lot more, weu2019d likely fall short of your mark.
,A basic (but very capable) one light monolight kit with a softbox and grid will run you about $800, but closer to $1,000 once you add in tax and things like cables, a small reflector stand and arm, reflector, apple box, and all the little incidentals like spare flash tubes.
Buff - AlienBees B800 ($280),Paul C.
Buff - Foldable Softboxes 24u2033x36u2033 ($120),Paul C.
Buff - Foldable Softbox Grids ($35),Matthews C-Stand ($160) (donu2019t skimp on stands),Impact Sandbag ($22) (get one pre-filled),PocketWizard PlusX (2 @ $90 each),==== $800 ====,You could get this price down even lower by going with other brands, or go easily into the thousands of dollars for a one light kit.
,But since youu2019ve left out some important details about your needs, your price range could vary greatly from my example.
,More expensive and higher end brands do not automatically equal better results.
Trust me, Iu2019ve seen it firsthand.
The same is true whether youu2019re talking about cameras, lenses and other accessories.
,My strobes are the modest and unassuming Photogenic PL1250 500w/s monolights, all purchased used for about $275 each.
I have 6 (?), but 2 need repair, and I rarely use more than 2u20133 on a shoot anyway.
I started out with Alien Bees.
Iu2019m not a fan of their modifier mounts, but they get the job done.
Best budget continuous lighting for photography
LED lights from came-tv.
Lighting equipment list
All commercial flights have been smoke free since the early 1990s.
But all commercial aircraft still carry ashtrays in lavatories.
,In fact, as absurd as it may sound, ashtrays are not just mandatory in aircraft lavatories, they are part of the Minimum Equipment List (MEL)*MEL is a list of items on an aircraft which MUST be in working order for an aircraft to be allowed to takeoff.
For example, a radio altimeter is part of the MEL but a tail-logo light is not.
,Ironically, ashtrays still form part of the MEL, although all flights are non-smoking.
So much so, that as per FAA Guidelines, an ashtray needs to be replaced within 3 calendar days if it is broken.
,The logic is, that although flights are LEGALLY non-smoking, someone might smoke ILLEGALLY.
If someone indeed tries to test his luck, and lights one up in the lavatory, he must have access to the ashtray to stub it out and must not toss it in the lavatory receptacle which may cause an inflight fire.
Studio lighting equipment
For the stands, I mostly look for stability, versatility and wether or not you can put a lot of them in one small space (you know how c-stands have feet with different height so that you can put one right next to another).
C-stands almost always win it for me.
,TristannPhotographer @ http://www.
I have a Nikon D7000 with a largish high speed memory card in slot one for RAW images and a Toshiba FlashAir WiFi card in slot 2 for easy transfer of JPEGs to my smartphone.
,I have just four lenses: a 10u201320mm Sigma ultra wide angle zoom, a 35mm Nikkor f1.
8 prime, a 105mm Micro Nikkor and a 55u2013300mm Nikkor F4u20135.
,I have a K&F HSS flash with a tilt/swivel head that also incorporates a hidden diffuser and white card.
This flash can be fired off camera remotely while utilizing my camerau2019s built-in flash as a trigger.
It has its own case with velcro straps which allow me to leave it constantly attached to my camera bag.
,I have a Manfrotto compact tripod for light work and a heavy duty K&F macro photography tripod with an adjustable transverse beam to hold my rather beefy Micro Nikkor.
I also have a remote trigger for macro photography which also can also be used to shoot intervals for subjects like star trails.
,I built most of this kit methodically over about a one year period and I am pretty happy with it.
It pretty much checks off all the boxes for me right now.